I find a place in the bend of the river overhung by the roots of a
large ash tree, and duck the neck of the guitar into the river here,
covering the machine heads and lower strings. Next I plug in the mini
amp: the water resonates through the strings, producing gentle
harmonics. I tie the guitar to the tree in this position, balancing
the body against the tree with a small stick. The sound is made both
by the movement of the water, an occasional gust of wind, and
birdsong along with the almost imperceptible movement of the tree. I
attach the microphones to small branches and sit on the river bank to
listen.
I send the field recordings to Barnaby Oliver. Keeping their
timeline, he mixes the sound for CD.
oliver:
Starting with the complete, unedited recording, I add layers of treatments - a mixture of non-realtime digital processing, and live manipulations using my Revox reel-to-reel tape machine and spring reverb. Illuminating and magnifying the harmonic undulations of the guitar, I sink deeper into the sound in meditative stillness.
Dulais Wade / Duck was presented as part of a solo show at the Yorkshire
Sculpture Park September - November 2006 and at the Sonic Arts Network Expo in
Plymouth July 2007.