
Press praise and insult for The World Woke Up Without Me
Kerrang
Glorious return from troubled experimental rockers
After the sudden death of their drummer and guiding light Steve Smith,
it looked like it was all over for Venus Ray. But, despite a hellish year, the
band has pulled itself together and produced a compelling, offbeat second album
that's a fitting tribute to their lost friend. Throughout The World...,
Venus Ray demonstrate that they're equally confident in tackling dumb, sing-along
anthems and slow, introspective ballads, each track featuring layers of quirky
sound and a fuzzy electronic edge that elevates the band above most of their
garage-rock contemporaries.
Still smarting from their unexpected loss, the band is consequently a little
restrained on certain tracks and you never really get to hear Venus Ray rocking
out. But, as a return from the brink of disaster, The World... sounds
fresh and optimistic, showing that the band has an exciting future ahead of
them.
David McComb
The Daily Mirror
The sequel to their striking Chuck Berry vs. IBM debut was curtailed
when drummer Steve Smith died. But the bizarre Venus musical workshop has adjusted
well with fun-filled harmonies, mutant electronics, garage moshing and rocking
fervour.
Gavin Martin
Mojo May 2003
Titled in tribute to drummer Steve Smith, whose tragic death delayed
the Londoners' sophomore album. Venus Ray's sinewy-tense edges are a touch Pavementesque,
but the way Hurricane pays tribute to Jonathan Richman's Roadrunner indicates
their truer roots. Darkness understandably permeates their grooves, but triumphantly
so.
MA
Uncut May 2003
Second from retrograde avant-pop Londoners.
In title alone this is much more downcast than their 2001 debut Chuck
Berry Vs IBM, and with good reason. The death of Venus Ray drummer Steve
Smith midway through recording turned this otherwise confident successor
into an involuntary epitaph. Maybe it's coincidence but there's definitely something
hauntingly melancholic about the Pavement-ish opener Melody or the gentle,
soporific Sunglasses. At least Smith went out rocking, drumming up a
storm on Hurricane, typical of their Big Star-meets-Joe Meek soundclash.
Simon Goddard
The Independent 21st March 2003
For their second album, The World Woke Up Without Me, they have painstakingly
created crude new equipment to record music built on the foundations of punk,
dub and early rock'n'roll. Their song Electric Guitar is a juddering,
surging tribute to the instrument';s continuing appeal. 'Heal my heart, heal
my soul, electric guitar, electric guitar' Diggory Kenrick prays, in
a song caught between giving the game up ('nothing left to live for'), and the
triumph of its dubbed-up, guitar-drenched chorus.
Nick Hasted
Drowned In Sound
The world woke up without this crew of warped indie boys, leaving them alone
in an unknown place of wreckage to have every imaginable emotion inflicted upon
them, until finally, blinking in the light, they were let loose upon the world
that had deserted them and unleashed their diary of what they had been through
in that strange place.
The intricate and delicate harmonies - soaring one minute, plummeting the next
- juxtaposed with vehement, vitriolic drums and occasional swoops of an electronic
something or other make this an obviously personal work; listening to it is
sometimes like reading someone's diary, intruding on their life as they pour
out their life and soul and secret passions. Best of the bunch are opener Melody
and the euphoric Electric Guitar, the former both menacing but optimistic,
the latter embroidered by a swagger many other bands can only dream of. But
amidst the moments of bruised revelations and quietly hopeful beauty there are
passages of repetitious filler if this album truly was someone's diary, these
bits would be descriptions of what they ate for breakfast and exactly why they
like the people they do. Probably good stuff if you know the person or share
their fascination with cornflakes, but otherwise indulgent and just plain bewildering.
Hurricane was well chosen as the first single, being as it is
an upbeat and insanely catchy little number, but don't dive in and expect an
album of the same. The World Woke Up Without Me is an account of their
time in the dark condensed into bite sized fragments and given baffling names
such as Gullybank Rock it'll never be played on the radio, but in its
own little way it definitely rawks.
Rating: 4/5
Steph Nelson
Bang June 2003
These guys are essentially pissing about.
(back)